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Congratulations to the Winners of the Alabama Writers Conclave Competitions, 2014

NEGATIVE CAPABILITY PRESS

(negativecapabilitypress.org)

 

Would like to Congratulate the Winners of the 2014 Alabama Writers Conclave Competitions. 

 

JUVENILE FICTION (Judge: Watt Key)

1st Place:  Glenda Slater (Spanish Fort, Al)  for “The Pickle Bomb Tree”

2nd Place:  Barbara Gold (Stamford, Ct) for “Weed Whackers, Open For Business”

3rd Place:  Kate Celauro (Nashville, Tn) for “Medicine Man”

Hon Mention:  Ramey Channell (Leeds, Al) for “Uncle Bede and the Biscuit Angel”

 

FIRST NOVEL – CHAPTER  (Judge: Charlotte Raines Dixon)

1st Place:  Peggy Wilkins (Daphne, Al) for “A Song for MamaLoo)

2nd Place:  Jackie Romine Walburn (Birmingham, Al) for “Trouble Blues”

3rd Place:  Frances D. Roberts (Grand Bay, AL)  for “A Place Called Grace”

4th Place:  Linda S. Stafford (Niceville, Fl) for “The Year Ava Lee’s Daddy Went           Away”

 

FLASH FICTION (Judge: Katy Yocom)

1st Place:  Linda F. Willing (Grand Lake, Colorado) for “The Memory Book”

2nd Place:  Elizabeth Bloom Albert (Highland Park, Il) for “Deluge”

3rd Place:  Jane Sasser (Oak Ridge, Tn) for “Orange Maternity Jumper”

Hon Mention:  Chervis Isom (Birmingham, Al) for “The Letter”

 

POETRY (Judge: Vivian Shipley)

1st Place:  Sylvia Williams Dodgen (Orange Beach, Al) for “My Gift”

2nd Place:  Mickey Cleverdon (Point Clear, Al) for “Eve Speaks”

3rd Place:  Susan Martinello (Gulf Shores, Al) for “Venus in the Eternal City)

4th Place:  Betty Spence (Mobile, AL) for “Egg Handler’s Daughter”

Hon  Mention:  Jane Sasser (Oak Ridge, Tn) for “Native Soil”

 

CREATIVE NONFICTION (Judge:  Kaylene Johnson)

1st Place:  Vivian W. Newkirk (Madison, Ms) for “A Secret Time”

2nd Place:  Margie Tubbs (Mobile, Al) for “Not This Time”

3rd Place:  Linda Hudson Hoagland (North Tazewell, Va) for “Pick It Up Please”

4th Place:  Ruth C. White (Mobile, Al) for Americans Oust Language”

 

SHORT STORY (Judge: Roy Burkhead)

1st Place:  Mahala Church (Mobile, Al) for “Yellowed Picture”

2nd Place:  Larry Wilson (Wetumpka, Al)  for “The Affair”

3rd Place:  Richard Perrault (Bryson City, NC) for “The Ugliest Man in Litucca             County”

4th Place:  Linda Hudson Hoagland (North Tazewell, Va) for “November 4th”

Hon Mention:  Him Heron (Grove Hill, Al) for “My Turn” 

 

MARY S. PALMER TALKS ABOUT THE 2014 ALABAMA WRITERS' CONCLAVE

2014  Alabama Writers' Conclave

By Mary S. Palmer

 

            The Alabama Writers' Conclave was held in the quaint, artsy town of Fairhope last weekend, July 11-13. It hosted people from all over Alabama and some from Tennessee, Mississippi and other states. For the first time, I had the honor to attend.

            In her introduction, Jeanie Thompson, Founding Director, Alabama Writers Forum, pointed out that Alabama was twenty-third in funding for the arts. That's a good position. Other speakers included presentations on both prose and poetry, fiction and non-fiction and play writing. All were impressive but one point that stuck with me was literary agent Katharine Sands' statement that all novels need a person, a place and a pivot. Having all three start with a "p" makes it easy to remember.

            Other speakers included the passionate Michael Martone, witty Jim Murphy, amusing T.K. Thorne and Linda Busby Parker, and Scott Wilkerson, Barry Marks, Terri French and Keynote Speaker Pulitzer Prize Winner Rick Bragg, Rob Gray, Susan Luther, P.T. Paul, all who gave eloquent and informative presentations.

            President Sue Walker and Vice President P.T. Paul made sure everything, including the food, was first class. If you didn't learn something from the experience, you weren't listening. One particular thing I learned would have justified attending. It was simple, it was obvious, but it took a new reader to spot an easy change that may make the difference in whether my mystery novel is accepted for publication. When I read the opening paragraph, the speaker suggested moving one sentence to the top and opening the novel with that line. I could then see that sentence as the grabber which would set the scene and the tone for the entire book.

Such conferences are truly worthwhile. As one speaker pointed out, you may not be told anything you don't already know, but we don't always do what we know we should. And we forget. Reminders serve us well. These events do, too. They also reinforce our belief that we can write and encourage us to write on and write right. We may have a message only we can give to the world.

Check out Mary S. Palmer’s books:

QUESTION OF TIME Sequel to Time Will Tell

TIME WAS Third Installment of the Time Will Tell Trilogy, Coming September 19

CHANCE FOR REDEMPTION A Fantasy Novella

BAITING THE HOOK Sequel to To Catch A Fish

TIME WILL TELL Science-Fiction

TO CATCH A FISH Novel

"Raisin' Cain" $500 Winner of Selti Tourism Writing sponsored by the Alabama Tourism         Dept. see selti.com    

Web site: www.Maryspalmer.com 

WHY DO YOU WRITE?

WHY DO YOU WRITE?

July 9, 2014:  ON WRITING CREATIVE NONFICTION

            This fall at the University of South Alabama, I will be teaching a course  on Creative Nonfiction.  I thought I would share this process – and ask if you would like to join in – and perhaps “soothe the voices shouting inside me, outside me, all around.” 

            Indeed, what text?  How to choose?  I think I will start with Writing Creative Nonfiction – edited by Carolyn Forché and Philip Gerard – though I shall dip into other texts from time to time. 

            One of my favorite essays of all time is “Why I Write,” by Terry Tempest Williams.  (See:  http://www.coyoteclan.com/)  It often amazes me that readers bypass the author – as if who is writing is somehow a separate thing – for the article / poem / story being read.  Terry Tempest is an ecological writing – and the sense of place is important to her. 

            Can’t you – in your mind’s eye – see your childhood bedroom with absolute fidelity?  Can you see where the dresser was – maybe beside the window where you can see not only yourself in the mirror, but the monkey puzzle tree just outside?  Can you see the bed you slept in?  The closet with two rows of shelves? 

            I note that Terry Tempest Williams begins by situating herself in time.  “It is just after 4:00 a.m.,”  she says. “I was dreaming about Moab, Brook and I walking around the block just before dawn.” . . . 

            Here is the essay:  http://rvannoy.asp.radford.edu/rvn/312/whyiwrite.pdf

            You will note the repetition of the words “I write . . . “  pushing the essay forward:  “I write to make peace with the things I cannot control.”  And so forth . . . . This repetition is called anaphora – a rhetorical device that repeats a series of words usually at the beginning of a piece.  If I count correctly, Williams says / writes the words: “I write” some 74 times in just two pages.

            I ask myself this June morning why I write?  What is it I want for my writing?  No, Williams does not ask that.  She does not say she writes to be published. She does not say she writes to be famous, to make money . . . .  She even says that she writes “because it is dangerous, a blood risk, like love . . .

            I had a professor at Tulane who had a stamp that said “Bull . . . . “ – and he would use it to indicate his thoughts about what a student wrote.  Whoa! That gets a student’s attention. 

            So I want to turn the question “Why I Write” on his head and ask:  “Why don’t I write?  In a way, this is a lot easier to answer.  I don’t write because I think I’m not good at it.  I don’t write because I don’t want to appear stupid.  I don’t write because I could never be as good as my friend Pat.  I don’t write because I’m too busy and I don’t have time. 

            So, let’s begin.  Tell me:  Why do you write – or conversely “why don’t you write?  I mean other than a grocery list or a check to your dentist. 

            And do you keep a journal? I bet you don’t know what you were doing on July 9 last year? 

            Terry Tempest Williams says: “I write as though I am whispering in the ear of the one I love.”

            Tell me:  Why do you / why don’t you write?

VOL III, Number II, 1983 -- Writers, Where Are You?

Wherefore Negative Capability: Vol. III, Number II, Spring 1983 ~ In Remembrance ~

July 8, 2014

            A Spring 1983 issue of Negative Capability turned up on my desk – Vol III, Number II, no less.  As I pick it up and peruse its pages, I find myself thinking about the writers who appeared in the pages of this issue. 

            On the cover is a sinister drawing of a little girl with a fork in her hand.  The shadow of a man lurks in the background.  Tom Woodward is the artist who illustrated this cover, front and back.  His work often appeared in the pages of Negative Capability. Tom was a quadriplegic – but he never let disability deter him.  He illustrated Sue Walker’s first book of poetry, Traveling My Shadow.  Sadly Tom Woodward passed away not too long ago.  He left his mark on the world, and this morning, as I write at 2:49 in the morning, I bow my head and honor Tom.

            The first poem is by Blanch Woodbury – a nom de plume because of the sensitive nature of “My Brother,”  and it is this poem that Tom illustrated for the cover.  I remember sending him the poems that were to be in this particular 1983 issue and telling him to pick one to illustrate.  This is a excerpt from the poem – lines about the brother:

            Long ago he spent years committing incest.

            I survived but we never mention it.

            He’s thirty-five now and still lives with our mother.

            My favorite joke when I visit is to talk

            of the time I stabbed his thigh with a fork

            and send him screeching around the table

            for ruining my first perfect crayoned picture.

            Oh my gosh – what powerful poems appeared in this issue of the journal.  The second poem is by Ben Satterfield – entitled “Rejection.”   This is the opening:

            I was born unfortunately.

            My mother, after trying for more than a year

            To get my father to marry her . . .

            The journal’s biographies, called “Reaching After Fact” – from the John Keats’ quote that gave the journal its name.  Ben Satterfield (Austin, Tx) wrote:  “Like Robert Graves, I have never starved, committed civil murder, or found buried treasure . . . but I’ve work different colored collars through a range of jobs from day worker to social worker. What I am is a writer, but earlier I went the vole: bookkeeper, stevedore, night watchman, business manager, poll-taker, private detective, radio operator, teacher, probation officer, et cetera.  Ben Satterfield, where are you?  If this blog reaches you, get in touch.

            And where are you Harold Lee Fleming? Jim Peterson? Jan Villarrubia? Where are you Marilyn Krysl?

            In this issue were two of Richard Kostelanetz’s “Single Sentence Stories.”  They run on for a page and are quite amazing. 

            Also in this issue are four poems by Miller Williams.  I love this title:  “Some Lines Finished Just Before Dawn At The Bedside Of a Dying Student It Has Snowed All Night.” And from a poem called “People,” Miller writes:

            When people are born

            we lift them like little heroes

            as if what they have done

            is a thing to be proud of.

 

            When people die

            we cover their faces

            as if dying were something

            to be ashamed of. . . .

 

            Andrew Glaze is the current Poet Laureate of Alabama – and his poem “Someone Will Go On Owing”  is a part of this collection of Negative Capability poems.

            Nancy Weber, where are you?  Your “A Letter To Rene Descartes” is signed “Gratefully, A Most Humble and Perplexed Student.”  And you say: “I am a mere student, and apparently not a very good one at that.  To be perfectly honest, I have only the most rudimentary understanding of metaphysics” . . . .  Get in touch and write Descartes response to this letter.

            Would love to hear from Martha McFerren – whose poems “Sola” and “Daphne Rerun”  appear in Vol III, Number II.  Martha, are you still in New Orleans?   I remember the time you were scheduled to read poetry in Mobile, Alabama. Somehow, the night before, you broke a tooth – a front tooth – but you came and read nevertheless. 

            Jane Mayhall’s story, “Carlin” is a part of this issue.  Jane a poet who gained prominence late in life and whose work was informed by the unhurried rhythms of her Kentucky girlhood, the bustle of her Manhattan adulthood and the abiding grief of her years of widowhood, died in 2009 at her home in Manhattan. She was 90. How wonderful it is – to have this work of yours. 

            William Walter De Bold, where are you? 

            And yes, Lori Jo Oswald, “It’s Hard Being Married.”  That title gets a reader’s attention.  Are you still in Anchorage, Alaska?

            Dana Ridgeway, where are you?  You were a student at the University of South Alabama in 1983?  Are you still in Mobile, Alabama?

            Nelson Richards wrote “In Defense Of Marriage” – Three marriage poems in this issue, no less.  Nelson, are you still in Mobile, Alabama?  I see you said that you enjoyed the New Orleans Symphony, fried snapper, and Rubik’s cube.  Richards is an Air Force veteran

            Ruth F. Eisenberg, Linda Allardt, John Currie, Robert Gibbons, John D. Douglas, Michael Hayes, where are you? 

            Alabama’s Emily Dickinson, Vivian Smallwood, is not longer with us.  Negative Capability Press published her book:  And Finding No Mouse There.  The following poem is in this noted volume:

            Adam At The Gate

            Perhaps it was too soon to stand erect,

            To claim dominion over land and sea

            And name the beasts and give myself a name.

            Perhaps I was not ready, after all,

            To bear the strange, new burden

            And held it in  of a soul.

 

            Yet who would think a soul could weigh so much?

            I pulled it from the green, forbidden bough

            And held it in the hollow of my hand,

            So small a thing, but heavy even then

            And heavier with every passing year.

            Perhaps I should have dropped it where I stood

            And sought again the safety of the brush,

            The dark, accustomed shelter of the wood.

 

            Now at the gate of Eden, looking back,

            I see the fields and flowers forever lost,

            I hear the lean snake hissing in the weeds,

            And in my hand I hold the bitter fruit

            I picked too soon and cannot put aside.

Always, dear Vivian Smallwood, always – your wonderful words.

            And where are you David Hall, Fran Barst, Linda Peavy, Constance Pultz, Clarisse Perkins, Mike Moyle, Ben Norwood, Ellen Tosh Benneyworth, Alice Briley, Tessa Tilden-Smith, Susan Hodge Shores, Rachael Norton, Jim Huskey,

And you, J.R. LeMaster –writing the poem entitled “William Stafford,” saying that yes,

            We all must travel

            through the dark.

            We all must swerve . . .

 

            Where are you Jim Daniels, Grace Bauer, -- and no, Grace,  “It Ain’t Love, It’s Just Country And Western,”  and

            Where are you John H. Irsfeld and Frederick A. Raborg, Jr.?

            Fleda Brown Jackson, please get it touch . . . how I love your “How Kate Chopin Can Keep Her Heroine From Suicide.” 

            Jo-Anne Cappeluti, where are you?

            And it with regret that we say that Harry Myers, too has passed away.  Thank you for your poem, “Rockpile” – and true,

            The devil was mad –

            heaving rocks

            to vent his ire . . .

            And lo, where are you Daniel W. Rasmus, Ramona Weeks, David Spicer, Jay S. Paul, and James Blacksher? Last time I heard from you Jim, you were in Birmingham, Alabama.  Remember when we used to go to Vivian Smallwood’s house and she would critique our poetry?  She was a hard taskmaster – but oh to be in her presence and share poetry.

            Enid S. Shomer, get in touch.  Your poem “The Moment” indicates that at this time, this moment, we would like for you to connect with Negative Capability Press: negativecapabilitypress.org.

            Where are you L. Brian Stephanie von Lackum Henkel, Byrd, and where are you Mary Jo Pride?

            Lowery Varnado passed away in May of this year.  Negative Capability Press loved his poetry and prose.  Always and ever Lowery was a gentleman, a scholar, a fine writer. 

            Ann Leatherwood conducted a splendid interview with Judith Richards,  wife of the late Terry Cline.  Judith lives in Fairhope, Alabama. Her latest novel, Thelonious Rising was released just a few weeks ago.  It is about nine-year-old Thelonious Monk DeCay who lives in New Orleans’ Lower Ninth Ward with his grandmother.  His mother is dead, and his father is missing.  This is a story of heartbreak, hope, and the strength of the human spirit – set in New Orleans in the days leading up to and the aftermath of Hurricane Katrina.  Kudos, Judith.  Negative Capability Press loves this book.  Ann Leatherwood lives in Mobile, Alabama and used to teach at the University of South Alabama.

            Negative Capability Press would like to hear from our writers – and from our readers as well.  Thank you for being a part of our literary family.

Sue Walker, Publisher

Negative Capability Press

Maybe Success & Failure are Twins

Czeslaw Milosz was born on June 29, 1911 -- 103 years ago -- and we are still reading his words and learning from his wisdom.  Words do not die as people do -- and though we misuse them and say the things we did not mean and fail to say the things we should -- and even if we never publish a single thing, we are wordsmiths. 

Milosz said: 

“You see how I try
To reach with words
What matters most
And how I fail.”

And he said that "the living owe it to those who no longer speak to tell their story for them." 

But what of love, one of the main themes of literature? Milosz said:  "Yet falling in love is not the same as being able to love."  

In the corner of my garage is a tiny nest. I must have been passing by it for days without seeing it was there. I eased up to it to peek in -- and for a moment a tiny bird and I eyed each other before she flew away.  I do not know if there were eggs in that nest. I did not want to touch it so the bird would fail to return.  Maybe love is like that -- right under our noses and we fail to realize it is there.